本次毕业展《篇章》的主创来自剑桥艺术中国（CSVPA China）2020-21届的毕业生。在此，他们充分呈现了各自拥有的艺术技巧和才华。面对即将升学的他们，剑桥艺术中国（CSVPA China）充分关心着这群年轻人将如何在艺术创造的领域中求学深造，追寻光明的未来。
The following exhibition showcases the skills and talents of our 2020-21 Graduating Students, as they leave our school and care, to embark on a bright future continuing on with their studies within the creative arts.
毕业展《篇章》从无到有
凝聚了师生们的汗水与付出
历年来，剑桥艺术中国（CSVPA China）的学生拥有丰富的机会探索不同的学科、考察自己的创造性思维，以及系统地学习有助于未来发展的艺术技能。本次展览是学生们的艺术成果顶峰的集合，这次集合涵盖了多个学科，从3D设计、服装和面料设计，到创意研究、形式与意义，再到插画和平面设计。
Over the past years, these students have had the opportunity to explore different disciplines, examine their creative ideas and learn the skill sets that will prepare them for their futures. On display you will witness the culmination of this hard work across these different disciplines, ranging from 3D Design, Fashion and textile, through Creative Research and studies in Form and Meaning, to Illustration and Graphic Design.
随着教学的推进，剑桥艺术中国（CSVPA China）的学生在探索基本艺术技能之外，还踏上了自我探索和自我发现的旅程。他们开始思考自己的身份，开始注意围绕在身边的形形色色的社会观念，当他们看到、感受到或是经历到任何事物时，他们能够开始理解和思索语境在其中的意义。
Over their time on our courses, students have had the opportunity to engage with a journey of exploration into, not just the basic skills of art, but a journey of self discovery, as they examined their own identities, the social ideas that surround them and us, to understand and question the contexts of what they see, feel, and experience.
我们都应当知道，艺术不仅仅关乎技巧，也不纯粹是一项天赋的展示，艺术也关乎于发表评论、分享观点，并和作品的受众进行互动交流。艺术是一块表达的圣地，它将情感和工作联结，有提问和探索的空间。
As we should all know, art is not just skill, nor is it simply a demonstration of talent, but the opportunity to post comment, share ideas and communicate with an audience. Art is a place for Expression, a chance to work through emotions, a place for questions.
精心挑选出10件作品
邀请大家一同感受与解读
请欣赏下方学生作品
《Women Leadership in Animal Protection》
作者：Kelly Guan
作品解读
这项工作的主题是妇女在动物保护中的地位变化。我介绍了肯尼亚的母狮团队，这是一个属于IFAW的动物保护团队，团队成员都是女性，她们在远离家乡的地方拿起枪，为野生动物建立保护墙，保护它们免受偷猎者的伤害，这同时也给社区的女性带来了尊重，表明我们现在可以做曾经被认为是男性的工作，使女性的权力和性别平等真正得到了落实。整个作品由5个小雕塑组成，展示了一个动物救援故事。雕塑的材料是白色免烤粘土，被放置在长方形的柱子上。
The theme of this work is the changing status of women in animal protection. I present the Kenya team of lioness, which was a animal protection belongs to IFAW, the team was consisted with all women numbers, who take up guns far away from home and build a protection wall for wild animals to protect them from poachers, which at the same time, brings respect to women in the community and shows that we can now do what was once considered as male job. Make women’s empowerment and gender equality is truly implemented. The whole works is composed of 5 small sculptures, which show an animal rescue story. The material of the sculptures is white no-bake clay and the sculptures will be placed on the rectangle pillar.
《Cathedral Glass》
作者：Pandy Wang
作品解读：
“卢梭：⼈类⽣来就是⾃由平等的。”我的灵感来⾃教堂的彩⾊玻璃。每当我经过⼀座⽤彩⾊玻璃窗装饰的建筑物或教堂时，我总是被它所吸引。我喜欢彩⾊玻璃的绚丽⾊彩。这是⼀种⾮常 引⼈注⽬的艺术形式。所以我也想⽤彩⾊玻璃元素做⼀种作品。我先找了很多饱和度⾼的彩⾊⾯料，但发现颜⾊和质地不够漂亮。所以我⽤彩⾊的PVC材料，结合热⻛枪的使⽤，最后让我的作品表现出彩⾊玻璃窗的效果。
“Rousseau: Human born to be free and equal.” My inspiration comes from the church stained glass. Whenever I pass a building or church decorated with stained glass windows, I am always attracted to it. I love the gorgeous colours in stained glass. It’s a very eye-catching art form. So I also want to make a kind of work with coloured glass elements. I first looked for a lot of color fabrics with high saturation, but I found that the colour and texture were not beautiful enough. So I used colored PVC materials, combined with the use of hot air guns, and finally let my works show the effect of colored glass window.
《Escape》
作者：Johnny Yin
作品解读：
这件作品包含6张以水笔作为主材料的插画。从第一张开始，画面中的主角就一直在拼命往上走。直到最后当他走出所在空间时，发现自己在一个碗里，是别人的食物。
This work contains 6 illustrations. Ink pens are the main material. From the first scene, the protagonist in the picture has been desperately going up. In the end, when he finally walked out of the space, he found himself in a bowl, and was other people’s food.
《Wunderkammer》
作者：Ray Ji
作品解读：
这件作品是关于Wunderkammer。主要灵感来自我在CSVPA China里捡到的植物和物件。我想通过立体刺绣来强调这些所谓看似无用的东西的肌理。最终的成品我选择了白色作为主色调，是希望可以更加关注作品的质感方面。
This work is about Wunderkammer. The main inspiration comes from the plants and objects I picked up in campus. I want to emphasize the texture of these so-called useless things through three-dimensional embroidery. The reason why the final work is white is that I hope the audience can focus on the texture.
《Fear》
作者：Scarlett Xia
作品解读：
在我眼里，恐惧是一种情绪体验，生物体试图摆脱或避免某种情境，但却无能为力。人类恐惧的主要来源是未知。对自己无法理解的东西感到好奇，但也害怕失去控制和不确定的感觉。恐惧之所以蔓延，是因为人们在世界上看到了无数无法理解的现象，被感性世界束缚而无法逃脱。
In my view, fear is an emotional experience in which an organism tries to escape or avoid a situation, but cannot. The main source of human fear is the unknown. Curious about what you don’t understand, but also afraid of feelings of loss of control and uncertainty. Fear spreads because people see innumerable incomprehensible phenomena in the world, and they are bound by the emotional world and cannot escape from it.
《Memory》
作者：Coco Wei
作品解读：
通过植物和机器的结合，这些物体出现在不存在的空间中，随着时间的推移⽽成 ⻓。光盘作为载体被记录下来，关于从前的回忆。
Through the combination of plants and machines, such objects appear in nonexistent Spaces and grow through the passage of time. CD-ROM is used as a carrier to record the memories of the past.
《The Flowers of Thorns》
作者：Helen Wu
作品解读：
这是一件紧身连衣裙，叫做“荆棘之花”。最初由两件衣服组成：一件衬衫和一件A字裙，我把它们拼在了一起。我做了一个花边领，又在衬衫前面加了两个装饰褶子。袖子是蓬起的。我从Batsheva 2021年早秋系列得到了一些参考。我选择使用白色醋酸布的背面作为我的主要布料。至于A字裙，我将网洞布与印花布相结合，灵感来自藤蔓，想表达缠绕、捆绑、扭曲的视觉效果。
《Childlike Innocence》
作者：Lucia Shen
作品解读：
这是我的服装设计作品。这件作品的主题是童心。我是一个充满童趣和少女心的女孩。我最喜欢的地方是迪斯尼。当每个人都在催促你快点长大的时候，迪士尼是一个可以保护你童心的梦幻之地。我们每个人心中都有一个美丽、神奇和异想天开的地方。我想用这件衣服来体现我从未流逝的童心。
《Life Choice Management Office》
作者：Kelly Ding
作品解读：
灵感：常常会想生命的意义，人死后又会通往哪里，会经历什么，偶尔得知了濒死体验。向往更好的地方，天堂。一个纯净又神圣的地方。运用最简单的结构体现出一种时空隧道，通往天堂的道路。每个人将会分为三部分去往不同的地方。再继续选择自己不同的下个人生。
I often think about the meaning of life, where do we go after death, what do we experience, and occasionally I hear about near-death experiences. To a better place, heaven. A pure and sacred place. The simplest structure embodies a kind of time tunnel, the road to heaven. Everyone will go to different places in three parts. Then continue to choose their own different next life.
《Silence》
作者：Amber Chen
作品解读：
这是一个结构作品，我用木头制作DNA的形状并将它们拼接在一起，让它形状像一颗树。在疫情期间我对生命有所感悟，生命仿佛是一个空间，而人类是空间里扎根的树。
This is a structural work, I made the shape of the DNA out of wood and stitched them together to make it look like a tree. During the epidemic, I learned something about life. Life is like a space, and human beings are the trees rooted in the space.
2021 剑桥艺术中国
毕业展《篇章》圆满落幕
感谢老师和同学以及布展人员的付出
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毕业展《篇章》的现场精彩照片
